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ARTICLE-5: Moral Rights of Performers [go to this ARTICLE]
... (1) Independently of a performer's economic rights, and even
after the transfer of those rights, the performer shall, as regards his live
aural performances or performances fixed in phonograms, have the right to
claim to be identified as the performer of his performances, except where
omission is dictated by the manner of the use of the performance, and to object
to any distortion, mutilation or other modification of his performances that
would be prejudicial to his reputation. ...
ARTICLE-8: Right of Distribution [go to this ARTICLE]
... (1) Performers shall enjoy the exclusive right of authorizing
the making available to the public of the original and copies of their performances
fixed in phonograms through sale or other transfer of ownership. ...
... (2) Nothing in this Treaty shall affect the freedom of Contracting
Parties to determine the conditions, if any, under which the exhaustion of
the right in paragraph (1) applies after the first sale or other transfer
of ownership of the original or a copy of the fixed performance with the authorization
of the performer. ...
ARTICLE-12: Right of Distribution [go to this ARTICLE]
... (1) Producers of phonograms shall enjoy the exclusive right
of authorizing the making available to the public of the original and copies
of their phonograms through sale or other transfer of ownership. ...
... (2) Nothing in this Treaty shall affect the freedom of Contracting
Parties to determine the conditions, if any, under which the exhaustion of
the right in paragraph (1) applies after the first sale or other transfer
of ownership of the original or a copy of the phonogram with the authorization
of the producer of the phonogram. ...